Film Scoring Templates

Considerations for designing your Scoring Template

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Considerations for designing your Scoring Template.

  • Articulation Styles
  • Sample Library Mismatching
  • Performance Intervals
  • Long Notes
  • Short Notes
  • Effects
  • Phrases
  • Dynamic Crossfading
  • Layering
  • Frequently Used Choices
  • Infrequently Used Choices
  • Organization
  • Conventions
WHAT TO EXPECT IN THIS COURSE
This is a self-directed course.
Types of media in this course
ENROLLMENT INCLUDES:
1-year Access to the Premium Mentorship Course Discussion Group, where you will be able to discuss the subjects in this course, ask questions, be Mentored on the course, listen and interact with other enrolled course members and alumni, collaborate on relevant projects and assignments, and search the entire forum archive history for “Film Scoring Templates”.

About Matt Gates

Matt Gates is a classically-trained composer (B.M. Music Composition, Summa Cum Laude, The University of Arkansas, SMPTV Advanced Studies, University of Southern California). Mr. Gates was mostly self taught from an early age. Growing up in a relatively small town forced him to learn on his own volition and he taught himself music theory and orchestration by checking out books and orchestral study scores from the local library.

Mr. Gates music sports strong memorable melodies and themes, a clear sense of drama and storytelling, well crafted arrangements and thoughtful orchestrations.

He is a classically trained orchestrator who's recorded live musicians all over the globe. He is a prolific composer for TV, indie films and documentaries as well as video games.

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