Revisions

Prepare for and master the process of doing revisions.

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Prepare for and master the process of doing revisions.

  • Attitude
  • Unavoidable
  • Getting Closer To The Target
  • PlanningĀ for revisions
  • The Impact of Show and Tell Presentations on Revision Requests
  • Minimal vs Maximal Effort Strategies
  • How To Take Criticism
  • What Questions To Ask
  • What Questions Not To Ask
  • Best Communication Methods
  • Avoid Getting Fired
  • Think Positive
  • Re-assessing The Creative Vision
  • Ego
  • Taking Feedback
  • Preventing Revisions Through Better Communication
  • Easy Revisions
    • Changing Timings
    • Adding And Removing Layers
    • Re-Ordering
    • Additional Dramatic Acknowledgments
    • Keeping An Open Mind
  • Hard Revisions
    • Tempo
    • Mood
    • Missed Major Dramatic Point
    • Be Ready To Re-Write
    • Baggage
  • Going Back To The Drawing Board
    • Compressing Your Schedule
    • Project Management
    • Avoid Compromise
    • Good Communication
  • Fundamental Direction Changes
    • Demographic Re-targeting
    • Genre/Style Shift
    • Avoiding A Trainwreck
    • Avoid Resistance
  • MIDI Edits
  • Audio Revision Techniques
    • Stems
    • Powerful
    • Crossfades
    • Time Stretching
    • Merging Cues
    • Reverb Tails
    • Extending Tails
    • Pulling From Other Cues
  • Framing Revisions As A Later Process
  • Confidence Answer
  • Dramatic Needs
WHAT TO EXPECT IN THIS COURSE
This is a self-directed course.
Types of media in this course
ENROLLMENT INCLUDES:
1-year Access to the Premium Mentorship Course Discussion Group, where you will be able to discuss the subjects in this course, ask questions, be Mentored on the course, listen and interact with other enrolled courseĀ members and alumni, collaborate on relevant projects and assignments, and search the entire forum archive history for “Revisions”.

About Matt Gates

Matt Gates is a classically-trained composer (B.M. Music Composition, Summa Cum Laude, The University of Arkansas, SMPTV Advanced Studies, University of Southern California). Mr. Gates was mostly self taught from an early age. Growing up in a relatively small town forced him to learn on his own volition and he taught himself music theory and orchestration by checking out books and orchestral study scores from the local library.

Mr. Gates music sports strong memorable melodies and themes, a clear sense of drama and storytelling, well crafted arrangements and thoughtful orchestrations.

He is a classically trained orchestrator who's recorded live musicians all over the globe. He is a prolific composer for TV, indie films and documentaries as well as video games.

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