Score Budgeting

What are some of the best and worst ways you could allocate your budget?

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What are some of the best, and also some of the worst, ways you could allocate your Score Budget?

  • Rule of Three
  • Overdubbing
  • Soloists
  • Full Orchestra
  • Small Orchestra
  • Foreign Orchestras
  • Union Contracts
  • Sweetening
  • Pitfalls
  • What’s Left?
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This is a self-directed course.
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1-year Access to the Premium Mentorship Course Discussion Group, where you will be able to discuss the subjects in this course, ask questions, be Mentored on the course, listen and interact with other enrolled course members and alumni, collaborate on relevant projects and assignments, and search the entire forum archive history for “Score Budgeting”.

About Matt Gates

Matt Gates is a classically-trained composer (B.M. Music Composition, Summa Cum Laude, The University of Arkansas, SMPTV Advanced Studies, University of Southern California). Mr. Gates was mostly self taught from an early age. Growing up in a relatively small town forced him to learn on his own volition and he taught himself music theory and orchestration by checking out books and orchestral study scores from the local library.

Mr. Gates music sports strong memorable melodies and themes, a clear sense of drama and storytelling, well crafted arrangements and thoughtful orchestrations.

He is a classically trained orchestrator who's recorded live musicians all over the globe. He is a prolific composer for TV, indie films and documentaries as well as video games.

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