Final Delivery

Exporting Formats, Delivery Requirements, Dub Sessions, and keeping your Clients.

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Exporting Formats, Delivery Requirements, Dub Sessions, and keeping your Clients.

  • Organized Files
  • Bouncing Stems
  • Naming Standards
  • PlanningĀ forĀ your Team
  • How To Group Stems
  • Re-verifying Sync
  • Last Minute Picture Changes
  • Frame Rate
  • Drift
  • Sample Rates
  • Labeling
  • Pull-Ups and Pull-Downs
  • Last Minute Music Edits
  • Conform
  • Coordinating With The Post House
  • Deliverables
  • Reel Breaks
  • Reels vs Cues
  • Re-Rocking Reels
  • File Formats
  • Digital Delivery
  • Mixing Schedule Considerations
  • Bit Rates
  • Dither
  • The Dub Session
    • The Mix Stage
    • Music Editor
    • Picking Your Battles
    • Attitude At The Stage
  • Getting Final Payment
  • Protecting Yourself
  • Cue Sheet
  • Securing Their Next Project
  • Distribution
  • Festivals
  • Gifts
This is a self-directed course.
Types of media in this course
1-year Access to the Premium Mentorship Course Discussion Group, where you will be able to discuss the subjects in this course, ask questions, be Mentored on the course, listen and interact with other enrolled courseĀ members and alumni, collaborate on relevant projects and assignments, and search the entire forum archive history for “Final Delivery”.

About Evan Evans

Film Composer of over 60 Feature Films, Specialist on the Art & Craft of Film Music, Founder of The Composer Collective a media scoring firm with over 3000 global composers, Creator of CuePopā„¢ the world's first fully automated online Music Library, and son of legendary Jazz Pianist Bill Evans.

Evans studied with Jerry Goldsmith, Joey Rand (Music Editor, "Titanic"), Steven Scott Smalley (Orchestrator, "Batman","Conan The Barbarian"), Marco Beltrami, Don Ray, Clare Fischer, Elmer Bernstein, and Lalo Schifrin.

He has worked for and trained under iconic Film Composers Danny Elfman, Jeff Rona, David Newman, Jerry Goldsmith, Lalo Schifrin, and Basil Poledouris.

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