Realistic Synthestration

Learn the most important aspects of creating realistic mockup synthestrations.

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Learn the most important aspects of creating realistic mockup synthestrations.

  • Dynamics
  • Velocity
  • Midi Controller 1, 7, and 11
  • Short Note Dynamics
  • The Velocity Gap
  • Phasing
  • Humanization
  • Alternation and Repetition
  • Specific Techniques of Dynamics
  • Filters
  • Prerecorded Dynamics
  • Realtime Dynamics
  • Macro Dynamics
  • Avoiding “Sample Pumping”
  • Natural Orchestral Performance Considerations
  • Attacks and Releases
  • Fast and Slow Passages
  • Note to Note Transitions
  • Layering
  • Balancing For Realism
  • Orchestrating For MIDI
  • Should You Quantize?
  • Machine Gun Syndrome
  • Avoid Keyboard-isms
  • Focus on Quality
  • The Do’s and Don’ts
  • Aleatoric Effects
  • Drum Loops
  • Licks
This is a self-directed course.
Types of media in this course
1-year Access to the Premium Mentorship Course Discussion Group, where you will be able to discuss the subjects in this course, ask questions, be Mentored on the course, listen and interact with other enrolled course members and alumni, collaborate on relevant projects and assignments, and search the entire forum archive history for “Realistic Synthestration”.

About Evan Evans

Film Composer of over 60 Feature Films, Specialist on the Art & Craft of Film Music, Founder of The Composer Collective a media scoring firm with over 3000 global composers, Creator of CuePop™ the world's first fully automated online Music Library, and son of legendary Jazz Pianist Bill Evans.

Evans studied with Jerry Goldsmith, Joey Rand (Music Editor, "Titanic"), Steven Scott Smalley (Orchestrator, "Batman","Conan The Barbarian"), Marco Beltrami, Don Ray, Clare Fischer, Elmer Bernstein, and Lalo Schifrin.

He has worked for and trained under iconic Film Composers Danny Elfman, Jeff Rona, David Newman, Jerry Goldsmith, Lalo Schifrin, and Basil Poledouris.

About Matt Gates

Matt Gates is a classically-trained composer (B.M. Music Composition, Summa Cum Laude, The University of Arkansas, SMPTV Advanced Studies, University of Southern California). Mr. Gates was mostly self taught from an early age. Growing up in a relatively small town forced him to learn on his own volition and he taught himself music theory and orchestration by checking out books and orchestral study scores from the local library.

Mr. Gates music sports strong memorable melodies and themes, a clear sense of drama and storytelling, well crafted arrangements and thoughtful orchestrations.

He is a classically trained orchestrator who's recorded live musicians all over the globe. He is a prolific composer for TV, indie films and documentaries as well as video games.

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