Scoring Tools Masterclass

Modern Templates and Techniques

5.00 out of 5 based on 1 customer rating
(1 customer review )

$2,399.00 $535.20

NEW UPCOMING COURSE
LIMITED TIME 72% OFF*!
*LIMITED TIME INTRODUCTORY DISCOUNT

A comprehensive course on building scoring templates, creating realistic mockups, synthestration, state-of-the-art equipment, cinematic mixing, mastering, and delivery. Get ready for the biggest transformation of your career!

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Everything you are about to hear was 100% created entirely with computers and samples. Absolutely no additional live musicians were used to fill out the recordings. Watch the video to hear what you will learn to be able to do!

ORDER NOW AND GET 72% OFF for an INTRODUCTORY PERIOD!!

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You’ve just found the most comprehensive course on building scoring templates, creating realistic mockups, synthestration, state-of-the-art equipment, cinematic mixing, mastering, and delivery. Over 30 hours of on demand video instruction, assignments, quizzes, and a community of enrolled students! So you probably want to know what the course(s) cover?

Your purchase includes enrollment in all three advanced graduate level courses: Scoring Tools 701, Scoring Tools 702, and Scoring Tools 703.

SCORING TOOLS 701

Leandro Gardini in SCORING TOOLS 701 © 2018 All rights reserved.

SCORING TOOLS 702

Leandro Gardini in SCORING TOOLS 702

SCORING TOOLS 703

Leandro Gardini in SCORING TOOLS 703 © 2018 All rights reserved.

RESCORE OF “AVATAR” SCENE by Leandro Gardini
100% Computer created using the techniques you will learn in “SCORING TOOLS”

Do you know what the best technology is for a modern composer? You will learn about the most cutting edge technologies available for the modern composer, their roles, and everything you need to get started.

What’s the minimum gear requirement for you to start a professional home studio? Find out how your instructor Leandro Gardini put together his setup and the hardware he uses and all the options you have available to you to build your own scoring rig.

Do you know what the best software to use is? Your instructor Leandro Gardini will be telling you about the latest most powerful software to work fast and deliver professionally every time.

RESCORE OF “AVATAR” SCENE by Leandro Gardini
100% Computer created using the techniques you will learn in “SCORING TOOLS”

Have you ever built a template before? Do you know what is the best and fastest template approach for scoring? What kinds of different approaches are there? You’re going to learn from top to bottom all about building scoring templates, inside and out, small to mega-blockbuster sized and how to optimize your workflow to create better than the best sounding results fast!

What are the absolute best sample libraries? Do you know why and when to use synthesizers? Do you think there even is a best sample library? Your instructor is going to take you on an odyssey across all the best plugins, libraries, synthesizers, effects, out there and then you’re going to be the expert in town!

Have you ever combined various libraries? Is that a great idea or a terrible idea? Find out as Leandro Gardini shows you example after example of what sounds best. You decide for yourself, but we already know the answer.

RESCORE OF “AVATAR” SCENE by Leandro Gardini
100% Computer created using the techniques you will learn in “SCORING TOOLS”

Do you understand all the differences between virtual scoring and the real orchestra? You will learn to realize the differences between both approaches in order to produce the absolute highest quality most realistic results in your tracks.

Do you know how to balance your templates for advanced optimization and load balancing? Leandro Gardini is going to show you how create a good balanced template and how it’s key to smooth and fast production.

Are you familiar with Vienna Ensemble Pro? You will learn about this powerful plugin and how you can use it to leverage the power and quality of your tracks.

RESCORE TO “AVATAR” SCENE by Leandro Gardini
100% Computer created using the techniques you will learn in “SCORING TOOLS”

How do you currently manage having hundreds of tracks in your template? Whether you have never used a templating system before or you understand what templates are, you will learn some of the best ways to organize everything so you can manage it all like a wizard!

Do you know how to match different libraries to each other and place them on a stage? Learn all the special psycho-acoustic techniques as well as audio engineering techniques to match libraries to each other and how to spatialize them in 3D space in a simulated scoring studio.

How important is realism? In truth, what is realism? Find out what it is, how to achieve it, and why it’s important.

RESCORE OF “AVATAR” SCENE by Leandro Gardini
100% Computer created using the techniques you will learn in “SCORING TOOLS”

Do you know everything about how to import a MIDI file and get it to sound great with your libraries? Learn about the advantages and disadvantages of importing versus playing in parts manually and choose which approach is the best for you.

Do you know all the techniques for playing difficult passages so it’s easier and more realistic in the end? Your instructor Leandro Gardini is going to teach you some of the most incredible and fascinating tricks to making music that ordinarily is outside of your own performance abilities, and you are going to absolutely create incredible results like you’ve never been able to before.

How do you organize your templates for fast workflow? Leandro Gardini is going to personally take you on a tour of his fastest templates and show you how you can create amazing blockbuster sized sounding results faster than you ever thought humanly possible. And you are going to be able to do it!

RESCORE OF “AVATAR” SCENE by Leandro Gardini
100% Computer created using the techniques you will learn in “SCORING TOOLS”

What can you do with tempo, click, free time, and beat mapping? There are expressive differences between using all different approaches for input timing, from moment to moment and overall and you will learn how to masterfully choose between them all part to part in order to create the absolute most stunning realism in your tracks.

Do you know all about how string players decide where, how, and why to bow? There are so many ways to bow the strings, and differently for each section (violins, violas, cellos, and basses) even during the same unison passages. Discover what the reason is for for an upbow, downbow, connected or disconnected notes, and learn how to make sure those bowings are being perceived for incredible realism in your string tracks.

When should woodwinds and brass players breath? Depending on the passages there are so many ways to go wrong. You will find out how to know exactly where everyone should be breathing and how to put incredible realism into your cues using special tricks.

Are you aware that the more notes you put on real strings, the smaller they sound? Learn how to properly manage divisis and small sections and small ensembles so your epic scores sound totally realistic.

What do you do for difficult and extended articulations? Learn how to create realistic fast runs, clusters, bends, glissandos and create your own bag of ninja tricks to blow your listeners’ minds.

SCORE TO “SPUTNIK” by Leandro Gardini
100% Computer created using the techniques you will learn in “SCORING TOOLS”

Are you ready to take your scores to the next level?
Order now to get 72% off for an introductory period (money-back guarantee*)

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FAQ – Frequently Asked Questions:

  • * Is my purchase and funds protected by a money back guarantee?
    • Yes. If at anytime before you begin the course, you wish to have your money refunded to you, we can return the money no questions asked via the same method you used to pay originally.
  • Once I have begun the course, will I still have an option for a refund?
    • Once you have begun the course you have received the instruction for which you have paid for. There is no way to give us back the instruction you have been given. At a physical real world university you cannot take back instruction that you have been given. You pay for the right to be instructed which is what we deliver you. However, because the course is divided into 3 units (701,702, and 702) if you wish to cancel your enrollment and you have not begun the next unit(s) 702 or 703, we would be happy to refund you for the units you have not yet started.
  • Is there a way to contact the Film Scoring Academy if I have an issue, question, billing problem, complaint, feedback, or any other matter or concern I wish to discuss or resolve?
    • Absolutely. Send us an email to: support (at) filmscoring.academy [replace (at) with @] and we are more than happy to help you.
  • How long is the course?
    • The course is broken into three major sections, each with an average of 10 detailed topics with many subtopics and bonus lectures, as well as quizzes, tests, Q&A and feedback. The total time investment at a minimum is over 30 hours and depending on how much you participate can be substantially longer.
  • What is taking the course like?
    • You’ll be shown absolutely everything there is to know to become an expert at creating realistic orchestral tracks for everything from movies, commercial applications, television scoring, creating video game music and layers, and more. It’s a very exciting community based learning environment.
  • How long is my enrollment?
    • Enrollment is forever, perpetual. Come back any time, in your life and career to restudy and re-engage with the community.
  • How interactive is the course?
    • You can be as involved as you wish. The course includes quizzes and tests, and homework, assignments, and you will be creating and submitting your tracks for review and feedback and tips. It will be very back and forth and interactive.
  • Will someone be grading my work and giving me feedback?
    • In addition to peer feedback and review, the TA as well your instructor will be available to answer questions and give feedback on your work as well as participate in discussions in your three course SCORING TOOLS MASTERCLASS enrollment.
  • Can I start anytime or I have to attend on specific hours and days with everyone else?
    • You do not have to be in sync with others. You can indeed start anytime and be out of sync with others. There will be occasional live streams, but you can always watch them later.
    • Currently the course lessons unlock two weeks worth of lessons, every two weeks. With all the assignments, discussion, materials, and hours upon hours of instruction, this is the most realistic pace for the successful and satisfying absorption of the knowledge and wisdom of the instructor.
  • How long have you been in business?
    • Film Scoring Academy was founded on July 30th, 2015 and launched publicly 30 days later.
  • How many customers/students do you/have you served?
    • We have currently served over 1000 students.
  • Do you have a sample lesson available for free?

Are you ready? The time is now!
Order now to get 72% off for an introductory period!

$2,399.00 $535.20 Add to cart

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About Leandro Gardini

Leandro Gardini is an award winning composer with over fifteen years of experience. He has worked for Christopher Young ("Drag Me To Hell", "Hellraiser", "Spider-Man 3") and provides technical consultation for many professional film composers with his industry leading midi programming abilities.

Leandro was privileged to study Orchestration with Scott Smalley ("Robocop" by Basil Poledouris, "Judge Dredd" by Alan Silvestri, "Batman" by Danny Elfman), and Conrad Pope (John Williams Orchestrator). He studied the EIS (Equal Interval System) method with David Blumberg, Dell Hake, and Glenn Jordan.

Because of his incredible talents with computers and music, he is a highly sought after artist and works for companies as a beta-tester such as ProjectSam, Pianoteq, Synful Orchestra, Chris Hein and Audio Grocery among many others.

In addition to his career as a composer, he is involved in developing special projects like his "New Music for Avatar" and "The John Williams Compositional Techniques".

Leandro Gardini is an award winning composer with over fifteen years of experience. He has worked for Christopher Young ("Drag Me To Hell", "Hellraiser", "Spider-Man 3") and provides technical consultation for many professional film composers with his industry leading midi programming abilities.

Leandro was privileged to study Orchestration with Scott Smalley ("Robocop" by Basil Poledouris, "Judge Dredd" by Alan Silvestri, "Batman" by Danny Elfman), and Conrad Pope (John Williams Orchestrator). He studied the EIS (Equal Interval System) method with David Blumberg, Dell Hake, and Glenn Jordan.

Because of his incredible talents with computers and music, he is a highly sought after artist and works for companies as a beta-tester such as ProjectSam, Pianoteq, Synful Orchestra, Chris Hein and Audio Grocery among many others.

In addition to his career as a composer, he is involved in developing special projects like his "New Music for Avatar" and "The John Williams Compositional Techniques".

ORDER COURSE NOW

Customers' review

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1 review for Scoring Tools Masterclass

  1. muellersound@gmail.com
    5 out of 5

    (verified owner)

    Already inspired to tweak and improve my scoring workstation!Just started watching the first few videos released from Scoring Tools Masterclass, and I'm really excited about what is to come. It is really, really helpful to watch how other composers approach the very personal and seemingly unlimited ways that every composer can go about setting up their workstations, equipment and computers. Just in the first lesson on Leandro's gear and setup, and making your working environment comfortable and ergonomic for the long hours you will be spending there, I'm inspired to make some changes to my own studio. Excited for seeing more about how Leandro works, and how it's going to improve my own workflow!

    Was this review helpful to you? 1 of 1 people found this review helpful

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